Ok, so I shot 4 pano's from the Skyloft and I've completed an initial stitch. All of them were stitched at 50% without any tuning. The HDR color work for these is a mix of quick manual edits and/or exposure fusion, at this point I'm selecting on composition, potential, and stitching errors. Leave a comment about which picture you think I should take to the next phase.
Set1
Set2
Set3
Set4
Earlier this fall, I had put out flyers to a few people offering a free poster print, and discounted canvas prints of their view. One of the respondents was the owner of a beautiful loft in the Skyloft building. I made a quick set of shots there one afternoon, and had great plans to return during better lighting. I was shortly distracted by business travel and work on the Sunset View Dr. project. This weekend I finally got around to stitching 4 proof's, 360, 240, 336 and 364 images respectively from that afternoon. I spent most of the weekend finishing up the web site, but found out yesterday that one of the girls that waits on me at the bakery lives there. I had gone up and shot for her father without her knowledge, and she was telling me about this beautiful view she has and how she wants to take a picture of it..... "oh, yea, tell your dad I didn't forget about him" I say sheepishly. Anyway, looks like a new picture is coming, and while I didn't catch the lighting exactly the way I wanted I think something is going to come of this.
While I have been shooting gigapixel photo's for a couple of years now, and have a few pieces on public display, I am just beginning to get the business side of Surround Sight up and running. After a couple of false starts, and a lot of confusion about what to put on the site, who to host with, and how to deal with the huge files that are gigapixel photographs I think I'm on my way. Have a look around the site, don't forget to take a look at the shop, and check back here for updates about upcoming photo shoots, current projects and notes on my process. If you see something that I've done wrong, or know of something that I could do to improve the site, please contact me via the contact page.
Enjoy!
Five years ago, I was in Santiago, Chile on business for two weeks. Not wanting to miss the opportunity to photograph someplace new, I asked some people I was working with for good places to take pictures over the weekend. One coworker suggested Valparaiso, saying it was a beautiful place. I did a couple of web searches and confirmed that it would be a good place for a picture.
I had my iPhone with me in Chile, however, I had not made arrangements for service overseas so my phone did not work and had no access to data. I had downloaded an app that did Spanish/English translation and managed to get along with that as a tourist in Santiago.
On Saturday morning, I went to the hotel concierge to ask about the best way to get to Valparaiso. He instructed me that I could catch the subway right outside the hotel. I would take that subway to the end of the line where I would find buses. I would then take the bus to Vina del Mar. I took the subway ride, boarded the bus for a round trip fee, and arrived in Vina del Mar. Once there, I hired a driver, Igor Gustav Aros, and a translator, Carolina Varas, for the day.
We went to the first location and I set up my equipment, giving Igor and Carolina an understanding of the type of pictures I was interested in taking. Now that they had a better understanding of what I was looking for, they spent the morning showing me their favorite overlooks around Vina del Mar. We took a long, casual lunch of wonderful seafood on the beach. After lunch, they took me to a museum with an amazing view. We asked the proprietors of the museum if I could hang out the windows to shoot pictures, set up a tripod or give me access to the roof. They denied all of our requests.
While the museum proprietors were denying me access to their roof, I noticed a flat roof adjacent to the top level of the museum. I pointed it out to Igor and asked if we could get access to that roof. He nodded and ran out. After more failed discussion at the museum, Carolina and I headed out front. Igor ran up to me and proclaimed that we had access to the roof next to the museum but we had to go now! He had located the owner of the building, which was an old theater, and secured permission for us to shoot from the roof.
The building was being rented out for a child’s birthday party, so we wove our way past the running children and bouncey castles to the back of the stage. We turned on the flashlights on our phones and walked up three rickety flights of steel stairs and pushed a piece of plywood out of a window. Then we stepped out onto the roof, seeing the spectacular view now captured in my pictures. We were on the roof for almost two hours. The image was taken from right to left and the duration of shooting was just under one hour.
It was an amazing trip. I still remember looking through the pictures on the camera while listening to my headphones on my way back to Santiago, getting more and more excited about how beautiful this picture would be. Little did I know that it would also be the most difficult stitching job I had done yet. This image required over three months of post processing before it was ready to print. The whole time Igor was pushing me to get it done so he could see it, and he encouraged me through a few points where I was about to give up.